Showing posts with label ballet. Show all posts
Showing posts with label ballet. Show all posts

OPI "Instinct of Color" Commercial

Wednesday, March 20, 2013



Have you ever watched something that made you jump up and down like a kid and squeal - "that's me!"?


Not that it's literally YOU on the television (or magazine, or computer, etc), but that whatever you're watching seems to have boiled down the essence of what it means to be you and transformed it into mainstream media? Maybe something that so beautifully aligns your interests and passions that you feel almost as if it was designed specifically for you?


Well, that happened to me today...

The nail polish company, OPI, created a breathtaking commercial depicting a dance-off between a haute ecole dressage horse and a group of dancers. Oh. My. God.



I just about lost it when the ballerina and the horse bowed to each other.

The horse is a black thoroughbred who appears to be named "Lady in Black", but I have been unable to find any more information on the equine, except that he/she was trained by Mario Luraschi. Those who are not as familiar with horses might be surprised to know that nearly all of the horse's "dance moves" are real. You have not seen true nobility until you have seen a haute ecole-trained horse!

I think I might use this commercial to introduce myself to people. I have not spoken much about my equine-obsessed side of my life, but it's there! Perhaps I'll post some pictures in the future. :)




"Wings of the Swan", Princess Tutu Cosplay

Friday, March 15, 2013


Princess Tutu: Wings of the Swan by ~Stagsleap on deviantART

Last year at Fanime, I was able to coordinate quite a few private shoots for my various outfits, including this Princess Tutu, a Lolita, my vintage dress, and my red bustle gown. As soon as my college portfolio is finished at the end of this month, I'll be uploading lots more cosplay photos. Enjoy this teaser, photographed by Jason, AKA Gamefan23!

Homemade Pointe Shoes and Instant Gratification

Monday, March 11, 2013


"Homemade pointe shoes".
Punch that phrase into the YouTube search bar and prepare for a night of jaw-dropping stupor!

Girls (who seem to only exist from the knees down) post videos of themselves stomping around in handmade pointes created from clay, cardboard, tacky gift wrap ribbon, and ballet slippers stuffed like Hermann Goring at a smorgasbord.

Nearly all of the videos are filled with comments telling these girls to stop, but it seems to be of little use. Some YouTubers even have multiple models of their "Freedensteins" to view on their channels. In leopard print too!


I think those are Starbucks cup cozies in there?

Nearly all dedicated ballet dancers can tell you about the importance of that magical build-up towards their first real pair of pointe shoes. The months (if not years!) of patient waiting, working hard in the studio hoping for that day when the instructor will finally say, "You're ready". Then comes the celebrated first fitting followed by the first class. It can be a magical time, whether you earn your first pair at 12 or 35.

While the potential for injury with these home-made shoes is obvious, the greater (and more likely) danger comes from training the muscles of the leg and foot incorrectly. By the time you do make it to pointe, you may have a very difficult time breaking the bad habits you taught yourself.

We live in a culture of instant gratification. We don't want to wait for things anymore. We have grown lazy and entitled, and now its even spilled over into ballet. Not ready for pointe yet? Spent all your parent's money on videogames and can't afford classes? Then make your own shoes! Why not?

Not only are these girls robbing themselves of an important life experience (self discipline, patience, etc) and a moment of true magic in their lives, but the readiness and confidence with which they proudly claim "This is completely safe!" and attempt to teach others how to makes these things is astounding. Where are the parents? They need to sit their daughters down and cut them down a notch: "Honey, you are not a foot doctor. You have not studied the anatomy of the human foot, nor do possess any knowledge of shoe design. You are in no position to tell others whether your shoes are "safe" or not. You do not have that knowledge yet." I'm getting a little tired of these self-professed teenage "experts" that seem to sprout everywhere.

Folks, don't rush to be en pointe. ;)

Video - just being a pretty dancer... :P

Sunday, March 10, 2013

This was taken at Fanime last year while waiting for a photoshoot. Just a little improvisation...


I just love floating around and being pretty! This is one of my favorite dresses too - I found it at Goodwill eons ago. It seems vintage, but I'm not sure. Shoes are Gaynor Mindens, as are the tights. :)

Ohgosh, a lovely ballet shoutout!

Sunday, February 24, 2013

How can I express my happiness right now?



LegalBallerina.com has posted a lovely shoutout to me!
A ballet video that I posted on YouTube almost exactly one year ago has garnered over 34,000 views. The video shows various clips of me en pointe during a beginner ballet/pointe class at a local studio. I firmly believe that ballet is one of the most elegant, uplifting, noble pursuits that a human being can undertake, and I also believe that ballet should not remain only in the realm of children, but should be more accessible to adults who make the brave decision to learn ballet at a later age.
What brings me the most joy from posting videos of my ballet adventures is the inspiration and hope it can bring to adults and older teens who are under the impression that the ballet world is not open to them.

Legal Ballerina of http://legalballerina.com is also chronicling her adventures in learning ballet. She has a very well put-together blog! I first discovered her blog after examining my YouTube statistics - I noticed that a decent number of my ballet video views were coming from her website. After a little digging, I found that my Adult Beginner Pointe video was linked in her sidebar! I was flattered! I quickly dropped her a note of thanks and she wrote a new blog post about me and how my video has been a source of inspiration on her own ballet journey! She writes:
"It is because of Miss Etherington (along with my teachers, fellow students and family) that I believed that it was possible to learn ballet and advance to en pointe at my age. I still like watching her video. If you take a look, notice how nice her sous-sus is and how strong her legs look. Her feet are beautiful too."

I'm all a-flutter! Thank you darling!


When a dancer trips...

Friday, November 30, 2012

During tonight's performance, I tripped.

Before jumping into a tour-jete, it felt as if someone had pulled the rug out from under me. I didn't fall down, but I stumbled. It felt my shoulder slump and my head look down. For one second, I was in front of hundreds of people and absolutely petrified.

When you love what you do, your body and mind can work together to pilot your struggling ship straight again. I'm wearing a beautiful white tutu with flowers; I have a crown upon my head. I am a ballerina. The effervescent, magical, powerful storyteller of the theater. The audience wants to love me. My mind did not forget the steps that came next; my body did not fail to get me right up upon my leg again. A quick port de bras and my pas de basques came large and expressive. I back on track. My smile returned.

Of course I am concerned about how I must have looked. Was the illusion lost? Did I contribute to a lower morale amongst my fellow dancers for the rest of the piece? Did my face wrench into an unpleasant expression as I flailed? Did I flail? Was I able to regain my posture decently enough?

A year or two ago, I may have been in tears. I would have been nervous and shaking. But now...here I sit in the dressing room, happy and content. I am fine. Unbelievably, I feel great.

During the last section of the piece, when all the various characters come on stage to get into the final tableau, there is a moment when I prance into my center spotlight with a series of developpes before taking my pose in preparation for the ending. I have a moment to look into the audience, my arms outstretched and my slippers gesturing out to the top rows. Tonight, as I smiled upon them with my lips and my heart, I thought I heard a loving applause. It could have been for the others, but I would like to think they were welcoming me back - telling me "It's okay. We have your back; well done. " As I floated into my final pose, I felt happier than I had been in a long time.

When a dancer trips, remember that the audience wants you to do well. To see someone get right back up and carry on with a genuine smile may be even more thrilling than the fall itself. People love stories of individuals overcoming obstacles. When you trip or fall, it's almost like a miniature drama playing out in front of them. If you return from your "fall from grace" with strength and beauty, the audience is thrilled.

Dancers are the athletes of god. You are blessed and beautiful. You enthrall and entertain with a poise and magic that no other entertainer possesses. When you fall, don't let yourself fall down a black hole of despair. You are one of the privileged, so smile and continue your magical spell. There is a good chance the audience barely noticed anyway.


Opening Night!

Thursday, November 29, 2012

It's Opening Night!

Here I sit in the corner of the over-stuffed dressing room, surrounded by flocks of dancers, a thin mist of hairspray hanging above our manicured heads. The music and sounds from the stage filter in through a speaker. Every so often, the pitched slap of skin against the stage floor echos through - most of the dance pieces are contemporary, after all, and you how those dancers just love their sadomasochistic relationship with the floor.

My white and red tiara perches happily on my head. My tutu has been tucked away on it's skinny hanger; it will not join me in the curtain call.

The dancers on stage breathe so heavily right now that I can hear it through the speaker.

It was a wonderful opening night. I was nervous, of course, but not nearly as much as I have been for past shows. This is my first show as a real "ballerina" with a sparkling tutu, and my joy was probably quite evident on my smiling face. I had so much fun out there! I'm working on keeping my chin up, since I cast my gaze too low sometimes. My pique pirouette manage started beautifully, but I when I realized I was going farther downstage than I should have, a small hitch made its way to my feet like a hiccup. It felt like an earthquake, but I'm sure it was miniscule.

The song playing right now reminds me of droids angrily boffing each other...

In my turning balances, I felt like my feet and legs were tied in knots, and I'm sure the footwork wasn't pretty... But I am still joyful. I have done it! I have performed in a tutu, with a tiara, in front of an audience! I hope I was able to share my excitement and joy with the audience tonight. :) 


Backstage photos!

Monday, November 19, 2012



Backstage in the dressing room at the theatre! I'm playing a ballerina from a Degas painting in a dance piece  about Impressionism. Dancers portray various subjects from Impressionist paintings. I even have a little solo! No pointe shoes, though.
Tonight is our first dress rehearsal, and we are slated to remain in the theatre until 11pm tonight. Yikes!

I was once a ballet-dancing commodore...

Thursday, November 15, 2012

It's me!

Every fall at my college, the dance department has open auditions for their Fall Dance Concert, which is composed of student-choreographed pieces in all styles of dance. I was in three pieces in 2009 (which were mostly small roles) and the experience was certainly worth it. I made a lot of acquaintances and realized how little I actually knew as a dancer. I felt like "the baby" amongst all these other girls (and a few boys) who had years upon years of experience. I had a really difficult time picking up choreography. :(

Fast forward to 2011, and while I had no interest in taking part in another Fall Dance, I did hear whispers that there was to be a ballet segment in a Pirates of the Caribbean-themed dance. Pirates? Ballet? WHERE DO I SIGN UP? Luckily for me, the choreographer used to dance at my off-campus studio and knew of me.  I was given the role of Commodore James Norrington.










It doesn't end there! Of course, every PotC dance needs a Captain Jack Sparrow! Who better than....my boyfriend Duke? For the first time in our relationship, Duke and I would be in full theatrical costume, on stage together, dancing, and in roles that both suit us. It was like a dream come true!



Rehearsals were wonderful. All of the Royal Navy cadets danced ballet, and I event got to dance a duet with Duke. Other segments includes contemporary, gymnastics, and hip hop. Duke and I worked together smoothly and happily. Things got even better when it came time to start rehearsing in costume and makeup. I wore a white "powdered" wig, poet shirt, a cream waistcoat, cream breeches, white tights, and black slippers with white elastic (so they look like black shoes). I had to dance all the choreo with a sword, adding an elegant challenge.
Best of all, Duke transformed into a stunning Jack Sparrow. Not only did he look perfect in the makeup, but he also got Jack's gestures, expressions, and run down pat.

Now, on to the pictures!


In costume as Norry before putting on the wig.




Confronting Sparrow.

Our duet. Apparently, the camera captured my inner demi-god. 

Enjoy the video too! The hip-hop segment was cut for some reason...


Barre en Pointe Video!

Sunday, October 28, 2012

Took the beginner/mixed level class en pointe last week. Still struggling with a stiff neck and back. :(

"Breaking Pointe" Review

Thursday, May 31, 2012

Currently watching CW's brand new docu-drama about the ballet world, "Breaking Pointe"...
It's incredibly refreshing to see ballet being presented that way it deserves - HARDCORE! Intended to be "an antidote to Black Swan" the show immediately establishes that ballet is not for pansies, and it certainly isn't easy. The men they spotlight are quite masculine, and the women seem kind and balanced, yet competitive.

The first episode focuses on the dancers waiting to see if their contracts will be renewed. It's realistic and honest. The class scenes are inspiring and lovely.
I wish they spent a little less time on the relationship stuff. I'm just not interested! The nightclub scene is also silly. I want to know about their pointe shoes, their rituals, their superstitions, the subtitles and histories of the variations and ballets their working on - dancer stuff. The mindless minutes they waste on dancer relationships gives a slight blandness to the first episode and leaves me a little disappointed. I only hope the next few episodes are better! 

The Big "Black Swan Controversy" - What you need to know...

Monday, May 2, 2011

 "I only care to speak the truth. The truth is that no one, not Natalie Portman, or even myself can come anywhere close to the level of a professional ballerina in a year and a half. Period" - Sarah Lane
Actual photo of Lane with motion-capture dots. 
While I am late in writing this, some people may not be following the Black Swan scandal as much as I. I hope this article will enlighten you!

Let me sum up the whole 'Sarah Lane vs. Natalie Portman' fiasco:

In the film Black Swan, Natalie Portman plays a ballerina. She is shown dancing in the film, both full-body shots and waist-up shots. Interviews and most behind-the-scenes footage have depicted Portman as having danced nearly all her scenes. Watch almost any interview with Portman, and she talks about how difficult it was losing weight and training for the film. While relatively little was said about the dancing, the public still was (mis)lead to believe that every dance scene in the film was danced by Portman herself.

20/20 Segment  - Excellent little documentary. Really helps you understand why Lane (and ballet) deserves more credit. Includes beautiful footage of Lane dancing, and interview with her, and interview with Wendy Perron, the DANCE Magazine blogger who helped bring this controversy to light.

Then Natalie on an Oscar for Best Actress. This is when the sparks began to fly. Many balletomanes and dancers already knew of Sarah Lane - the ABT dancer who acted as Portman's dance double - and were a little irked when Portman didn't acknowledge her work in the Oscar acceptance speech, even though she mentioned camera men and such. Dancers knew that Portman could not have possibly danced all the scenes in the film with only 18 months of dance training, and that the real ballet artistry that enthralled viewers was the work of Sarah Lane.



In the weeks that followed, more information came to light that Fox may have been deliberately keeping the small amount of dance work that Portman actually did under the rug. Sarah Lane came forward with the statement that Portman only did about 5% of the dancing, not the 75% previously claimed by Darren Aronofsky, the director. Lane also said that she was told not to take any interviews before the Oscars. There has been a heated back and forth debate over this.


 Recently, a special effects reel was released online, intending to be for the special features of the DVD. In the original, they showed clips of Sarah Lane dancing across the floor, and then having her face "replaced" with Portman's via computer. Facial replacement is not a new thing, and has even been used in Lord of the Rings. The actress wears tiny dots on her face during filming so the special-effects crew can replace her face later with another. However, in a re-released reel of the special effects used in the film, all the facial replacement scenes were cut.



I've heard from quite a few of my peers and other people that Sarah Lane is just being a whiny bitch because she didn't get her dues, and she is supposed to be hidden because that's her job. I won't lie, but this view makes me fume with rage. Sarah Lane deserves to be recognized - the art of ballet deserves to be recognized. To be a dance double is very different than being a stunt double, since ballet demands not only sheer physical effort (far more than most realize), but artistry, grace, and poise.

There is simply no way in hell that anyone can dance ballet (in pointe shoes no less) like in the film with only 18 months of training, even if that training was intensive. Ballet takes years and years of daily work. While dancers know this, most of the public does not.

I highly encourage people to educate themselves on this subject to see what a travesty this is towards Sarah Lane and the ballet world in general.

Wall Street Journal article by Sarah Lane  - If you read a single article, let it be this one. Written by Sarah herself, it beautifully illustrates the work needed to be a real ballerina.

"My only wish is that Natalie, Darren and certain others who worked closely on the movie, could have grasped the beauty and the heart of true ballet. If they had, they would have advocated for this art more and given the real dancers the credit that they deserve."  - Sarah Lane
Sarah Lane as Princess Florine in "The Sleeping Beauty", ABT

"Swan" One of the Best Mangas you've never heard of...

Saturday, January 15, 2011


Swan, by Kyoko Ariyoshi. Published by CMX Manga. 15 volumes.

I have never been a huge consumer of manga. In truth, there have not been very many titles that truly intrigued me. However, there is one series that has taken my heart (and my bookshelf).
I first heard about Swan from the Princess Tutu community. I didn't know very much about it, save that it was an older shojo manga about ballet. I finally found the first issue for sale at Wondercon, and I was hooked.

User ImageThis manga is beautiful. Each page is an artistic delight as characters dance across each page, their emotions and feelings beautifully penned in a 70s style that is very appealing. The main character, Masumi Hijiri, is a very aspiring character. She struggles to succeed in a prestigious ballet school, even though she is from the country and does not have the best technique. However, she has a deep passion for dance that will be familiar to anyone who has ever felt the desire to make their dreams a reality. She has has believable flaws - no Mary Sues here!

I was surprised by how well researched this manga is. It is thick with ballet technique, famous dancers, and classical ballets such as Sleeping Beauty, Little Humpbacked Horse, and La Sylphide. However, even a non-dancer should enjoy it, since it does provide helpful notations on more obscure subjects.

~Where to Buy Swan~ 
Swan can be difficult to find. I have picked up most of my volumes at conventions and at Kinokuniya book stores. If you local bookstore doesn't carry it, you can always try requesting it. It is currently out of print.
 

Here is a collection of quotes about the series from different reviews. They capture the feeling of the series perfectly!:
I fell in love with Swan not because it’s about ballet, but because it’s so hardcore about it. The dancers sweat as hard and compete as ruthlessly as any athlete in a sports manga....Swan is the tasty manga equivalent of gritty American films from the 1970s. It is the Taxi Driver or the Apocalypse Now of ballet manga...The art of Swan is freaking amazing. During ballet sequences Ariyoshi illustrates time in gorgeous cinematic sequences, following the dancers’ movements in trails across the page. Drawn in the experimental 1970s, Ariyoshi experiments with panel layout. Masumi’s worries and fears break out of square borders into explosive layouts. Even through the psychedelic sequences, everything stays legible. Reading across a page of Swan is much less confusing than picking your way through the randomly scattered dialog bubbles of modern shojo. ~ Erin Finnegan

Incidentally: The real tragedy here is the fact that CMX still had six volumes to go in serializing Kyoko Ariyoshi’s ballet drama, Swan, quite conceivably the most formally daring children’s comic ever drawn. Working hot on the heels of the revolution in shojo manga in the early 1970s, Ariyoshi’s daring page compositions skillfully blended imagery and structure to evoke mood, motion and emotion like few other cartoonists before or since — I can almost picture sweat flying from her brow as her pen leapt across the board, setting new benchmarks for innovation that cartoonists would spend the next three decades trying (and failing) to match. These days, we in the West lionize Bernard Krigstein and Jim Steranko’s all-too-brief bodies of work for things that artists like Ariyoshi did as a matter of course for thousands of pages at a stretch. Every practicing cartoonist should own at least two volumes of Swan. - From http://www.tcj.com, commenting on the demise of CMX.



Swan is a series so packed with drama, beauty, pain, and art that you'll wonder why today's shoujo stories feel so bare. Full of the blood, sweat, and tears of both success and failure, it's a sports manga dressed in a tutu and draped in glittering, syrupy romance. The theatrics are big, but so is life. Swan is more than just ballet; it's a rich narrative that defines classic shoujo. An unfinished run is a devastating hit to my bookshelves. - Julie Rosato from http://www.mania.com

Some additional sample pages - I love how dynamic this manga is!

Ballet Polyvore

Sunday, January 2, 2011

Enjoy!



Princess Tutu Polyvore

Wednesday, December 29, 2010

Every so often, I enjoy creating a set or two on Polyvore.com. Sometimes I prefer not to get sucked in to internet stuff like this, since I much rather focus on my artwork. However, after long hours of studying and class, it can be a relaxing activity.
Anyway, here is a Princess Tutu inspired set!



Starting Ballet as an Adult or Older Teen

    With the release of the film “Black Swan” and a growing presence of classical ballet in the media (at last!), I thought it would be time to write up a few articles on adult ballet. I started ballet when I was only 19 years old, and it was one of the best decisions of my life. Lately, I have been getting a lot of questions on starting ballet as an adult.
    I hope these guides will inspire you to dance. Remember - you will never know if you don’t try!

Starting Ballet as an Adult or Older Teen

Ballet can be practiced and enjoyed at any age!

    As long as you are reasonably fit and have no major problems in your back, feet, or knees, it is absolutely possible to become a ballet dancer. It is also possible to learn to dance in pointe shoes. You will improve your flexibility, strength, musicality, and grace more than you could imagine, and well as develop a body awareness that will aid any other physical sport you may engage in. There are some limits to a late-starting ballet dancer, and it may be more difficult to find a studio, but the rewards will be boundless!





    Finding a Studio
    This step may be one of the hardest, but don’t give up! You may have to do some serious searching, but the studio makes or breaks the dancer. A good studio will offer appropriate classes, good instruction, and maybe even performance opportunities.
    Begin by consulting your yellow-pages. Not all studios in your area may have website or be listed on yelp.com or google, but be sure to try to locate a number of studios instead of just focusing on one or two. Collect numbers and homepages (if they have one) and begin your search. Not all studios are going to offer adult classes, and not all adult classes are created equal. Call around and ask if you can watch a class.

What to look for in a quality studio (coming soon!)

    Many studios will offer the first class free, so take advantage of this and give it a try! Your first class may seem daunting, but try to remind yourself that you are learning a completely new skill that is unlike anything else - you will get better!
    If at all possible, try to take classes at your very own college, and don’t overlook the benefits of community college. I took my very first (and some of the best) classes at my community college. You usually get more instruction, and the studios can be rather nice. Plus, there can also be performance opportunities. Classes at a community college can also be much, much cheaper than at a private studio.


Here are a few of the most common questions I have heard from people looking to start ballet:
   
    “How many classes should I be taking per week?”
    This will all depend on what you hope to achieve from ballet. Ideally, if you want to see yourself progressing and learning rapidly, you will want to take at least two classes per week, and if you ever want to dance en pointe, you will need to take at least three classes. You can certainly progress with only one class per week, but you will find that your body may not have the strength and muscle memory to function to the fullest, and you may find yourself frustrated. Over time, you will find that your knowledge on ballet will increase, but your body will not be able to get up to what your mind has learned. Top dancers will dance everyday for hours, since ballet requires a great deal of repetition. The more hours and classes you take, the faster and more dramatic your progression will be.

    “But I’m not flexible! I won’t be able to do anything!”
    You’re talking to one of the least flexible girls on the planet here! You can have a great deal of fun in ballet even if you can’t do the splits or even achieve a 90 degree arabesque. You’ll find that not everything is about flexibility - and you will also discover your strengths in other areas, such as jumping, fluidity, or turns. Don’t let flexibility keep you from trying ballet!
    You will certainly see yourself gaining flexibility as you begin to train. By stretching before and after class, as well as stretching at home, you will surprise yourself with how much natural flexibility you may actually have!

    “Can I do pointe?”
    With the proper training and conditioning, yes! Be aware that it will not be easy, and it could take years to achieve. It is safe to say that one needs to be dancing regularly at least 2-3 times a week for at least two years before starting basic pointe work. In most cases, it may take you longer than that. If you continue to train seriously, stretch and strengthen at least every other day, and educate yourself outside of your classes, there is a very good chance that you can become a successful and happy pointe dancer.
    While you don’t need to be super flexible to dance en pointe, you will need to have excellent technique and strong feet. If pointe is your dream, look for a studio that focuses more on technique than on “tricks”. The barre part of class should not be rushed in a hurry to get to the center, and the instructor should also stress that dancers strengthen themselves safely and often. Make sure there are other adults en pointe already, and that pointe classes are already in place for adults. Some studios may not teach adult pointe, so do your research.

    “I don’t want to ruin my feet.”
    Ballet is going to give you the strongest feet of your life! Over time, you are going to become very well acquainted with every nuance of your feet and toes. Many of the exercises at the barre are focused on creating strong, articulate, supple, and responsive feet.
    Can your feet be ruined by taking ballet? Well, yes - if you are 8 years old and wearing ill fitting pointe shoes. Many of the “bad feet” stories in ballet result from a young child (whose bones have not finished developing) being put in pointe shoes too early. The shoes can squish and deform young feet. An adult need not worry about that happening! However, there will always be pain from badly-fitted pointe shoes, regardless of your age. This is why it is crucial that you and your first shoe fitter be very knowledgeable on foot anatomy and pointe fitting techniques.
   
    “I’m clumsy and I can’t dance!”
    THAT’S WHY YOU TAKE DANCE CLASSES. Do you think classes are just for amazing dancers with natural talent? No! If you feel that you “can’t dance”, what you really mean is that you do not have control over your body, have poor body awareness, and lack musicality. Ballet will fix this. You will discover muscles and control that you never knew you could have, and you will develop the confidence and musical ear needed for dancing. Plus, you will develop poise and grace. I used to be pretty clumsy and gangly myself, but now people comment on my elegance. You will love your new you!

    “I really want to perform. Will this ever be possible?”
    YES! You need to do some serious hunting for a studio that offers performance opportunities for adults, but it’s completely possible. I have been lucky enough to dance at a studio that caters primarily to adults, and I have already been in two performances. It’s such a rewarding experience, and I highly recommend it. Also be on the lookout for auditions and performances by other studios in the area. You don’t have to perform just at your home studio!



    “Do I really have to wear a leotard and tights?”
    Do you want to excel? Do you want to receive more advanced corrections? Do you want to avoid injury? If you answered “Yes”, than you absolutely need to wear a leo and tights - and nothing else. The black leotard and pink tights are the standard uniform of ballet for a reason - you can actually see your body. You and your instructor are able to see every nuance, muscle, and bone, and this is crucial for correct technique. Your instructor can’t give you many corrections if she can’t see you. Developing correct turnout requires that your knees and hips (and the muscles around them) are visible - if you are turning out incorrectly, you can get terrible injuries in your knees. 
    A leotard and tights are also “no fuss” clothing. No socks to pull up, no shirt to pull down, no pants to pull up, and nothing to adjust. Nothing is going to pop or slip with a leo. You can leap, slide, jump, roll, stretch, bend over, bend backwards, and turn without having to worry about your clothes. 
    I have also found that teachers will tend to give a little more attention to students who show they are devoted to studying ballet - and those students generally are wearing the correct attire even if the class does not have a dress code. I will oftentimes be the only student in a class in just a leo and tights, and I find that I tend to get more corrections and attention - because the teacher can actually see my body.

    I will have more information on choosing a leotard, tights, slippers, and accessories in a future article.

    “I’m really self-conscious. I’m afraid everyone will be staring at me!”
    Don’t worry about it. Most people will be too busy concentrating in class to be looking at other students. I’ve never heard ladies gossiping about other students in the class or complaining about their looks. Most dancers are too busy worrying about themselves and their own technique to worry about someone else.
    Plus, if you are a teenager, realize that teens are still dealing with an “imaginary audience” - an overwhelming feeling that EVERYBODY is always looking at them, even when no one really is. This is natural part of teenage development, and you will eventually grow out of it.

    I hope that this article has given you the confidence and information needed to start taking ballet! If you have any more questions, feel free to leave a comment and I will try to answer them!



Additional Articles about Adult Ballet by Miss Etherington:

-Adult Ballet Students: You are Not the Problem
Dancers are the athletes of God. ~Albert Einstein
Related Posts Plugin for WordPress, Blogger...